The Hobbyhorse

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The Barest Trace of a Future
On Samuel Beckett's Quadrat 1+2
 • 
david c. porter
The Jameson Arras
In good dialectical fashion, the eulogies preceded the death, with no one knowing that was what they were writing.
 • 
Ian Maxton
Did Mishima Die Happy?
“Did he really think it through?” – Henry Miller, Reflections on the Death of Mishima
 • 
Duncan Stuart
5
On Cioran
"... a man cracking jokes while waiting in line to be thrown alive into a mass grave."
 • 
Nathan Knapp
16
Saint Bovary
On Flaubert's Mystic Realism
 • 
Duncan Stuart
Kafka's Hypographs
"What is next? The tax returns of Franz Kafka?"
 • 
Duncan Stuart
2
My Generation: Honor Levy’s My First Book & the Old Shock of the New
Early in Edith Wharton’s The Custom of the Country, the socially omniscient Charles Bowen remarks of the protagonist Undine Spragg: “… she’s a…
 • 
Tomoé Hill
Notes on Molly
When Love Resists Interpretation
 • 
Britt Menjivar
2
So, I Finally Read Ulysses
"Ulysses, by being everything, performs both the egalitarianism of the artwork and its inexhaustibility."
 • 
Duncan Stuart
Interview: Tomoé Hill
Author of Songs For Olympia
 • 
Adam Moody
The Politics & Poetics of Gene Wolfe
On Non-Didactic Fiction
 • 
Tobias Carroll
1
The Hobbyhorse's Capsule Spotlights: Vol. 2
Litan (directed by Jean-Pierre Mocky, 1982)
 • 
Ian Maxton
, 
david c. porter
, 
Jason Christian
, and 
Dana Aklilu
© 2024 Adam Moody
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